The report of the death of Nigerian legendary poet and playwright, John Pepper Clark-Bekederemo, popularly known as J. P. Clark has left many Nigerians mourning.
TheNewsGuru.com (TNG) reports the younger brother of Chief Edwin Clark, the former Federal Commissioner for Information and South-South Leader died in the comforting arms of his wife, children and siblings on Tuesday.
J. P. Clark, born in Kiagbodo to an Ijaw father and Urhobo mother, received his early education at the Native Authority School, Okrika (Ofinibenya-Ama), in Burutu LGA (then Western Ijaw) and the prestigious Government College in Ughelli.
He bagged his BA degree in English at the University of Ibadan, where he edited various magazines, including the Beacon and The Horn.
Upon graduation from Ibadan in 1960, he worked as an information officer in the Ministry of Information, in the old Western Region of Nigeria, as features editor of the Daily Express, and as a research fellow at the Institute of African Studies, University of Ibadan.
He served for several years as a professor of English at the University of Lagos, a position from which he retired in 1980. While at the University of Lagos he was co-editor of the literary magazine Black Orpheus.
In 1982, along with his wife, Ebun Odutola, a professor and former director of the Centre for Cultural Studies at the University of Lagos, he founded the PEC Repertory Theatre in Lagos.
A widely travelled man, Clark held visiting professorial appointments at several institutions of higher learning, including Yale and Wesleyan University in the United States.
Clark was most noted for his poetry, including Poems, A Reed in the Tide, Casualties: Poems 1966–68, A Decade of Tongues, State of the Union and Mandela and Other Poems.
Throughout his work, certain themes recur violence and protest, as in Casualties; institutional corruption, as in State of the Union; the beauty of nature and the landscape, as in A Reed in the Tide; European colonialism as in, for example, “Ivbie” in the Poems collection; and the inhumanity of the human race as in Mandela and Other Poems.
Clark frequently dealt with these themes through a complex interweaving of indigenous African imagery and that of the Western literary tradition.
Clark’s dramatic work includes Song of a Goat – premiered at the Mbari Club in 1961 – a tragedy cast in the Greek classical mode in which the impotence of Zifa, the protagonist, causes his wife Ebiere and his brother Tonye to indulge in an illicit love relationship that results in suicide. This play was followed by a sequel, The Masquerade (1964), in which Dibiri’s rage culminates in the death of his suitor Tufa.
Other works include The Raft (1964), in which four men drift helplessly down the Niger aboard a log raft; Ozidi (1966), a transcription of a performance of an epic drama of the Ijaw people; The Boat (1981), a prose drama that documents Ngbilebiri history.
Although his plays have been criticized for leaning too much on the Greek classical mode (especially the early ones), for their thinness of structure and for unrealistic stage devices (such as the disintegration of the raft on the stage in The Raft), his defenders argue that they challenge and engage the audience with their poetic quality and their uniting of the foreign and the local through graphic imagery.
Clark’s contribution to other genres includes his translation of the Ozidi Saga, an oral literary epic of the Ijaw that in its local setting would normally take seven days to perform, his critical study The Example of Shakespeare, in which he articulates his aesthetic views about poetry and drama and his journalistic essays in the Daily Express, Daily Times, and other newspapers.
He is also the author of the controversial America, Their America, a travelogue in which he criticizes American society and its values. While the furore generated by this book arguably catapulted him into the international literary limelight, the damage it and Casualties did to his reputation seems permanent; in both works he infuriated and alienated a large audience and some influential critics. In his defence, Clark maintained that he merely portrayed events as he saw them.
As one of Africa’s pre-eminent and distinguished authors, he continued to play an active role in literary affairs, a role for which he increasingly gained international recognition. In 1991, for example, he received the Nigerian National Order of Merit Award for literary excellence and saw publication, by Howard University, of his two definitive volumes, The Ozidi Saga and Collected Plays and Poems 1958-1988.
On 6 December 2011, to honour the life and career of Professor John Pepper Clark-Bekederemo, a celebration was held at Lagos Motor Boat Club, Awolowo Road, Ikoyi, for the publication of J. P. Clark: A Voyage, The definitive biography of the main animating force of African poetry, written by playwright Femi Osofisan.
The launch was attended by “what could be described as the who is who in the literary community”, including Nobel laureate Wole Soyinka. In 2015 the Society of Young Nigerian Writers under the leadership of Wole Adedoyin founded the JP Clark Literary Society, aimed at promoting and reading Clark’s works.
J. P. Clark-Bekederemo
1935 — 13th October, 2020. pic.twitter.com/C6OfqBd1kn
— Gbénró Adégbolá ن (@GbenroAdegbola) October 13, 2020
We are sad to hear of the demise of foremost Nigerian poet, John Pepper-Clark Bekederemo popularly known as J.P Clark. Our thoughts and prayers are with his loved ones. pic.twitter.com/JBsmLJqiCr
— Cassava Republic (@CassavaRepublic) October 13, 2020
Coming and going this several seasons, do stay out on the baobab tree…
Rest in peace, Prof. J.P Clark.
You were Literature. You were magic❤️— Beautiful Rain (@ahhbeegal) October 13, 2020
The Great J,P Clark has sailed to the great beyond. 6 April 1935 -13th October 2020.
May his soul rest in glory. #Arts #JPCLARK #Poet #Writer #Icon pic.twitter.com/bZ3sThCrqS— ASIRI (@ASIRIMagazine) October 13, 2020
We are sad to hear that J.P Clark-Bekederemo, one of Nigeria’s foremost poets, has joined the ancestors.
Our thoughts are with his loved ones. The magic of his words and his legacy live on. pic.twitter.com/ysOFQ0mS5R
— AkeArts&BookFestival (@akefestival) October 13, 2020
CASUALTIES by J.P Clark (RIP)
The casualties are not only those who started
A fire and now cannot put out. Thousands
Are burning that have no say in the matter.
Because we cannot hear each other speak.
Because eyes have ceased the face from the crowd(Perhaps very relevant now)
— Abu-Yaman Zuruku (@abuu_yaman) October 13, 2020
J.P. Clark was a guiding light & inspiration to the Lagos International Poetry Festival, since the first edition, dedicated to him. As he joins the ancestors, we celebrate the legacy of a truly great man. Travel well poet, teacher, mentor. Thank you for everything. pic.twitter.com/zrRqR7zFwd
— LagosPoetryFestival (@LagosPoetryFest) October 13, 2020
‘The casualties are not only those who are dead.’
— J. P. Clark
— Wale Lawal (@WalleLawal) October 13, 2020