The death of renowned 20th century African singer, Sir Juju Onojefe Debala has been confirmed by family sources.
Sir Juju Onojefe Debala is a complex of a miracle, an enigma and dilemma tale; he is similar to the tale of the handicapped child who grows up to be a genius, according to Prof. G. G. Darah who profiled the prodigy.
Born blind, deaf and lame, Juju emerged one of the most eloquent and celebrated composer-singer-performers of Africa in the 20th century.
Musicologists rank him along with Fela Anikulapo-Kuti of Nigeria and Miriam Makeba of South Africa, Prof. Darah stated.
He said from 1965 to 2012, Sir Juju’s musical groups produced over 100 audio-tape cassettes and CDs, and that he has had more than 2,500 live performances on the average of 50 per year.
The group has entertained at spectacular events in Lagos, Ibadan, Ile-Ife, Okitipupa, Port Harcourt, Benin, Ughelli, with hundreds of appearances in the Warri-Effurun metropolis and environs, Darah narrated.
The name “Juju”, according to Darah, is derived from the inauspicious conditions of his childhood.
The narrative has it that for several years juju could neither stand up nor walk. Baffled by this “spirit” child, his father, Ocheria Debala, took him one day in a boat from Aladja to Warri and dumped him at the feet of the great medicine man, Mokunghegbe of Iyara Quarters.
On sighting the child, the notable Urhobo healer exclaimed: “Onana Edjo” meaning “Juju” to express his sense of wonder.
The Iyara herbal doctor cured the child of his ailments; he started to see, to talk and, at last, to walk.
The name Juju stuck to him thereafter and for good.
Sir Juju is the prodigy of his father, Debala, who was one of the first Urhobo musicians to travel to England in 1948 to produce the record, “Sokolobia”.
Sir Juju formed his juvenile Adjuya group at the age of 13 in 1963.
He later joined with Udjabo Okololo, also of Aladja, to establish the “Fashione” genre of popular music for which they are known.
Juju and Udjabo are the most elegant duets in contemporary Urhobo musical experience.
Udjabo passed away in 1997.
About 3,000 lines of the songs have been transcribed and translated, according to Darah.
Among the bestseller albums are Motumolo, Ededon, Indian, Ikoriko, Abamwa, Eduba, Bidofo, Enavwose, Mariere: the Midwest Nationalist, and Ubido: Epic of the Brave and Just.
The romantic and love numbers of all time include No Apprentice in Enjoyment; Ogo Me Biko or Ode to a Stubborn In-Law; Rose: My Darling; and Margaret: My Sweet Heart.
The sobriquet “Sir” was added to his name by Mr Bricks, the Managing Director of Philips West African Studios in Lagos to distinguish him from Yoruba juju musicians.
The group also produced for Emi Studios, Electromat, Decca Studios, Palofon Studios all in Lagos and Iyanda Studio in Ibadan.
Their notable contemporaries include Omokomoko Osokpa, Ogute Ottan, J. C. Ogbiniki, Johnson Adjan, Okpan Arhibo, America Djalere, Lucky Okwe, Nathaniel Oruma, and Lady Rose Okiriguo.